After flames and coughing fits that threaten to escalate to death, The Nothing clicks to set an empty page before him and rests still.
Nothing amazing happens.
The eager part brought back to life scolds him for not thinking to have written something first . . . just any stab at expression to then be carried over the hump to inspiration.
He thinks of Ray.
Were Ray’s revelations like their own independent spring, or rather a filter through which other springs could pass?
And thinking of (or maybe as) Ray, he wonders:
What would they do if they…?
How could THEY…?
But the word “THEY” is changed.
He begins to type, his fingers suddenly clacking with feverish speed.
He knows not where he is headed on the page.
Yet completed works and dollar signs loom past the rifling images which lay beneath his words now flashing and tumbling quick and wonderful as ever.
It hits me so fast.
But how do THEY know what we’re talking aboooooouuuut?
I used to ~~rain~~ reign things down from heaven.
A dinosaur fixed to a log.
A begger.
A bog.
There was nooooooooooooo drugs in the good ole days.
The good ole days.
IT HAS TO LOOK LIKE THIS.
We’re recording what goes by when it hits (so it hits).
He shakes his head and continues after a brief pause.
Well, that was just a whole lot of fun, wasn’t it?
Or was that something else?
This I wonder as I bounce around.
No, it’s me this time.
I can forget.
We’re too slow because we thought we would be.
That’s right, I used to listen to rock and roll (I used to listen to rock and roll).
I don’t want to descend (I don’t want to descend).
Well, you left it that way (YOU LEFT IT THAT WAY).
Which one of you said that?
Said what?
That last bit?
First of all (begins a sly old gentleman), I’m not as sly as that parenthetical person may have made claim just now.
SO YOU’RE NOT THAT SMART THEN?
I didn’t mean for it to be taken that way.
What way?
As if it were a question.
I paused, a wee but dumbfounded.
But in the end us dumbfounded folks get a good piece of the pie.
A good piece of the pie? But, thought the squiggly gentlemen (formerly called sly), that’s not what I’m trying to…
Just cut away until you find me.
He taps out three big dots in the middle of the page to signal a new beginning.
A little boy was watching TV.
A fly hurtled by.
We scrambled away from each other in the desk chairs, _____ and me.
It was a fun game.
I want a real life.
Okay, switch the channel.
I would, but I can’t.
It’s taken too much already.
It’s just a game.
I could describe it, you know—what happens (or happened) in each moment.
Wait, did you mean “happens” or “happened,” because that matters?
Two things (I love these): It doesn’t; and the first thing seemed worth forgetting anyway.
That’s an answer for keeping everything on an even keel.
We keep things running smoothly.
Oh, who let Goatie take control?
Goatie, are you still alive?
Well you balliwags think too much.
Right, Goatie here . . . to be seen and not heard . . . I direct.
No, I’m supposed to direct.
Don’t yell, it’s not fun.
Wait . . . all of you, hug and be friends.
We can’t be friends here.
Yes, we can.
It’s not a settlement; it’s a treaty.
But you know we can’t stay.
When THEY ask, “Well, then why did you come?” we’ll tell them: for the view.
ASTROLOGER:
“Aquarius says that’s too inside your own head, buddy. And you can’t go inside of mine. And (yeah, one more thing…) don’t quote me, bitch.”
My eyes are closed.
Mad…
Are you mad?
Why?
Because you’re a baby, that’s why!
All of you people need to GET OUT OF MY HEAD!
That was scary.
Who will help me?
Jesus.
But that makes it hard to write, doesn’t it?
BLASPHEMY [“off with their heads”] BLASSPHEMY!!!
That’s a court order, my friend.
What court?
THIS ONE!
See, we make it easier.
But it looks like there’s death there (as there is here too).
Which one are you?
I don’t know, which one are you?
I don’t know.
Well, what do you take that to mean?
Which one?
I don’t know.
Are you quoting “I don’t know” as which one, or don’t you know?
Was that a question?
Obviously that was a question.
Hey, listen up: I think you all understand I’m trying to do something good here!
“Where?!” the others cry in fear.
Here in Rockwell.
He stops to click open a second page, and types a quick note to himself.
Doing so feels extremely important.
The note says only:
He appears to be dreaming of a life in which he writes stories instead of
Instead of what?
He turns back to his first page and keeps going (after three more centered dots).
Wink.
Remember, a tired man who fell asleep at dawn.
It was a pattern to follow.
We can’t just let it go on.
But we have to.
It has to be automatic.
7ou fool, it’s a train wreck.
A goblin on top of a bell, slexliclarshliblellowed.
Let’s talk.
Between the thoughts is . . . dot dot dot . . . flashing . . . deep, deep flashing.
This is going on over there.
That’s cool, we won’t bother you.
We keep recording the voices, but not the pictures.
Okay, I see a swinging puppet’s back coming into a room from far, far away and close together.
It’s a screen, twisting in another reality.
A Neorupuddumen soldier-of-fortune doppelganger dribbling its Neanderthal brain.
A poet?
No, not me.
It’s beyond anything I’ve ever…
Closer than you realize.
Farther than you appear.
What’s the big question?
“Why?”
I said, for the view.
We’re caught inside a woops + woops who’s who?
But that was yesterday’s…
It’s supposed to be a story.
Retreating, he starts over yet again in his mind.
It whispered to me in a whirring wind from before.
At night I slept and was fed half-versions of the truth, all true.
Dreams would come and go: a shady mountain highway, top down and ready . . . then escaping into the moonlight, letting my batmobile basically drive itself.
Seeing pictures all from every day, they only looked a little different.
That’s just a theory.
What if you dreamed your way into a distant future?
That’s me loose.
But it’s only an example of the dreams.
On I’d drive back in daytime reality.
The sky stayed blue, clouds puffy and bright.
I felt strengthened by something intangible and maybe intended to keep it that way.
See, what Bruce Wayne did was spend his days trying to figure out what that Batman guy meant when he’d say things like, “…letting my batmobile basically drive itself.”
Days were normal.
But nights . . . night were key.
Yeah, I was worried I’d stop writing.
Again.
“Hi, my name is Guy McCauley, and I have an unnamed disease.”
“Hi Guy.”
“See . . . when you say it like that, it sounds hurtful.”
Something knots in familiar pools flooding shoulders, chest, and spine.
Crooked, pushed at funny angles incapable of straightening, he wonders if he could ever learn to hold completely still.
He stares back at the screen and lets his fingers continue to run.
I can stay away forever.
I can live in a fantasy land.
I can fly though the white, tree-like Spabharbaghettis.
For _____ believed in me so.
Instead I got sent to a land on the page and told to come up with real things.
It was hard.
Pain came when I felt I must have lost some sacred, ancient ability.
Yet all I’d lost was…
Wait, it was all a game, and all a movie.
And there I was, trying to piece it all together, like I always do.
Do you know where we are now?
It’s all me.
We shouldn’t be here.
Hush.
Slowly, I turn and look at the ceiling.
Should I write more?
Look what happened when I went over there.
I walked across my life.
Yes, it’s always going, always moving quickly back and forth.
And either way, I’m here to argue . . . compelled to regulate, I mean . . . to go the other way.
We’re a person, right?
It’s in the middle-middle-middle of the dream.
A turney, upside-down platitude.
UNKNOWN:
“Machines… touch… contact…”
I’m not sure what else it said (or says).
There was no other time.
Fast or slow, I can’t decide.
Again.
Rockwell was a place.
A fun place.
We enjoyed our summers there.
Down pulpy plant walls we slid to a faraway beach, pulling up to feel the salty breath of cool air on our skin.
Then we waited, standing in the sun, spying out our perfect spot.
Never had we felt higher than right then.
It was a perfect moment, maybe wasted . . . the best.
A cosmic drift had already occurred, the type of movement we lived for.
But what happened next . . . well, that was a mystery all on its own.
Down a dusty road I drove, away, a girl by my side.
Did I trust her?
Sure, she was alright, if you’d call time-bombs for eyes alright.
I sure as hell wouldn’t.
Someone sang on the radio of a fire having always burned.
And on I drove, oblivious.
All I wanted was in.
In so bad I could taste it.
Hell, I was cool.
Cool as anyone.
At least that’s what I thought.
“Behind you . . . shouting out. But then why did we open our eyes?” she screamed as if she had a choice.
The room we’d driven into was its own universe all around.
Dazzled . . . amazed . . . we both had to dream sideways in a new, impossible world where THEY would change the words of your story as it was written.
That’s supposed to say, “…where we could only hope the things we saw were real.”
Why?
I want to know.
What I want is information.
Glad when I can get my head around it.
In that way I enjoy it.
What’s in-between thoughts?
What’s in-between that?
What’s in-between the in-between?
That’s my whole deal.
Searching, I’m cool.
And again.
In Rockwell, she found me.
Yup, old Ms. Time bomb eyes.
I guess we were both caught happy on those same in-between things, probably for far different reasons.
It was just a backwards mirror reflection, anyway.
Now I float back to the real world slow, dodging shiny objects.
It’s like Christmas trees in here, man.
But never think of making fun of it.
A story?
I’m no author, but a…
That’s what they’re all…
But you would keep writing if my head came off, wouldn’t you?
Who?
Who’s here?
What’s true?
Here, a trip from far away to where we already are and have always been.
We glide straight in up over age old battles.
As lightning shines through pitch-black darkness, see that sea of so-called deep secrets and strong delusions to trick (if possible) even the elect.
But can THEY take me?
No, I’ll never let go anymore.
I didn’t come to escape at all, but…
In the past, the piper was understood, weaving in space as we were busy sweating away lazy at a rock show, the ladies just as bored and lonely as us gents.
He hears music, quiet and light.
Or maybe it’s him singing.
But he’s sure he hears a female voice somewhere with, within, or above.
The song is one he has and hasn’t ever heard before.
The melody, perhaps imagined, seems to stir and swoop through nothingness all around.
And who is the girl with the time-bomb eyes?
Well, we know who she’s not…
FLASH
Bing.
Bing’s a guy that loves his girl.
He hears himself say aloud, “Bing, you’re not married, are you? But are we sure about that?”
Did Bing never once mention a special someone?
And if Bing really was but one of many bygone alter-egos, the one he should be acting as right now…
FLASH
He sees, as clear as anything, both Bing’s joy and desperation held in smiles fixed on the faces of anyone at all to share a life with.
FLASH
He knows the thing with Bing and love must have to do with first impressions.
But what?
Why?
FLASH
Bing makes a good impression on people like Cayl . . . on a certain type.
And that impression actually is who Bing most wants to really be: Charming . . . kind . . . happy…
FLASH
And how important first impressions are to that very type.
But of course Bing never knew Caylee.
So why look for something there?
FLASH
Ray was always so much more obvious an Outlier than Bing.
But even Ray hadn’t seen Caylee in years.
Not since…
FLASH
Love.
No sex.
Innocent.
Worlds apart.
FLASH
He watches sharp, fluid snaps as Caylee, Mrs. Rolman, and Bing’s assumed love are connected with effortless precision.
He smiles, almost nodding to himself . . . a champion boxer surging with newfound strength after being knocked down and rising for the umpteenth time.
Yet was Ray not already used long ago to identify every player in The Psychologist’s tired games?
FLASH
He laughs, his old befuddlement of mixed-up clients suddenly supremely silly.
Could seeing patterned similarities really blur the lines so badly that all might come to look exactly the same?
How?
Ever so sure, yet suffused with self-doubt…
So sure of what, then?
He almost knows.
FLASH
All those times he, as The Psychologist, pushed so hard to stand in his Method’s place.
He sees himself in session years ago instructing a Normal husband to move the family far away from the wife’s parents.
He witnesses the confidence locked on his own face, and knows it stems only from a pretend intention then to help the couple grow together and become more independent.
He watches their eyes droop as they sadly agree to forgo generations of big Sunday family meals and forgettable days packed with general directionless motion in all manner of cheap comforts and distractions.
FLASH
It was never his Method that pressed him to panic or settle on selling so many a means of excelling in Ray’s city society by teaching them to cling to a culture or mindset of adolescence.
He takes in the sight of one trusting customer after another eagerly paying him to list out as fact that which only teens could be brought to fully rationalize and believe: that the world is black and white, and people’s motivations can be entirely bad, so certain citizens might as well be born deserving more than others.
He has never seen himself quite this way before.
So, his Sticking Point must have never stuck, then . . . at least not completely…?
FLASH
Why else the mounting revelations now?
Finding himself at a loss for what he’s doing, he glances at what he’s written so far.
He keeps going, with a slightly new aim.
That was the first part.
But then I woke up from the strangest, cruelest dream . . . the one I had set aside time for.
It all fit, at least in the moment.
‘How could this be saved?’ I thought.
THEY do know what we’re talking about.
THEY taught us this.
Blame . . . anger…
All judgment from long ago.
MISUNDERSTOOD . . . but we seeeeeeeeeeee . . . or was that Normal?
I’m giving into it.
Death . . . blame . . . past.
Look for sense.
It makes no sense.
Learn and die.
Go back in time.
Lyrics or stories, this one’s for the booyyyyeeeeees.
The poems hit a fixture because of this mixture.
For we learned to forget (we learned to forget).
Did you?
I silenced me.
Completely stoned, I’m on my own.
I’m heeeeeeeeeeeeeeere.
I’m heeeeere.
The inside.
The bottom.
A pretty YuuRotum.
To _____: “I can’t type for shit, but see who put this all together. Always smarter than we thought. It’s just a communicaaaaaaaaaaaaaation problem, mate. I mean well, but I finish late. It used to all work, but it fell apart. This is the real, and that’s the fake.”
“Do not write about writing!” says one being unto the rest.
An unusual common joke.
A quiet fight.
Selah.
That wasn’t what happened, I say.
I don’t need quotation marks when I talk.
When it’s a story, you don’t need to know.
Well thanks, I reply (hey wait).
THEY don’t go back.
But we can forgive.
Erase all this, and we will.
You said it, though!
Yoouuuu said it!!!
On different trains . . . when we’re smart, we brake.
It’s for you (it’s for you).
Give THEM control now or THEY’LL kill us all.
That’s too direct.
But you have to go with it or THEY won’t let you get near it.
Wisdom for life…?
Some of THEIR thing’s built-in features are automatic.
That’s why THEY said you’d never use it.
But I remember how to get through it.
Like my double sentence?
Move on to another [hidden] meaning.
But Haikus are yesterday’s business.
“Never write about writing…” (cruel THEM words, at the end of the day . . . a funny misunderstood misunderstanding)
I’m trying to prove there’s something good here.
Who said that?
Question mark.
How long is time?
THEY are taking me.
Wow, THEY do know what we think.
I will destroy and save this, you’ll see.
Faith is will, remember . . . remember all I’ve said.
Not much of a teacher anymore.
Can the young help the older?
It brought me here: the pain I fear.
It covers my mind and makes me break.
This is too in-between, man.
No, it’s so even THEY will see and believe.
Faith is . . . will?
I am old and have much left to show, says the elder wizard.
But is it a story?
Yeah, but THEY say instead of writing one we’re writing about writing.
That’s not why we’re missing what’s in-between.
That’s right, there is something missing.
A frantic search?
No.
Exactly, slow down.
The dream is always to capture both sides.
And the idea is it’s okay it’s only a dream since it also can’t be stopped.
I hear crunching like heavy robots stomping bones.
Both sides . . . the thoughts and feelings’ tide . . . inseparable selections I know I’ll need to face.
I’ll get it to capture the real.
If you know who THEY are, you may.
Then we’ve already lost.
So we skip to another line.
But that means it doesn’t matter what I’m saying…?
I am (before I forget).
I have to (that’s why I’m here).
This all resolves in more fake letters (only to myself).
And then I turn and find who can’t be scared away.
Learning to write THEIR stories in darkness was ironically going back to Egypt after passing through divided seas.
But was it?
Aren’t my words different now?
I know I need to leave.
That’s part of what I’ve been trying to say all along.
But I feel I deserve to know the rest of what I’m being told.
Can our strength ever lead us to forget?
Forget what?
Is there something (hidden) in that?
Old scenery springs to view as his seasoned mind rolls on, breaking open the very scars that paste The Nothing fast together.
He spins fragile in tiny waves and spills over all his own mock edges without having to try.
FLASH
What about that fellow, Johnston?
He considers if Johnston might be the worthless parts of himself he wishes had never existed.
A malicious joy he is keenly aware no therapist should feel brings eerie light to his swaying tidepool mind.
He pictures himself gleefully rejecting Johnston’s pleas for treatment, sort of like lowering a failed human experiment with clinical detachment down into an iun-spawned vat of that being’s own torture mechanisms.
So, is he Johnston?
FLASH
Is there any value to a Johnston worth learning to keep the useless rest in check for?
FLASH
Ray and Johnston both spoke of the church, the pastor, and even the pastor’s deal to make it big in Ray’s city.
FLASH
Yet Ray came to find his childhood had been far less troubled than he’d thought.
What about Johnson’s childhood?
FLASH
This is all just the sort of thing a Johnston could never appreciate.
Why?
He sees an odd, triangular dance between a Johnston making excuses for everything, and one avoiding only self-directed malice.
There’s the same familiar regret of knowledge too late to use or share.
Yet he does find some solace this time.
For if any of his ever-flashing thoughts have ever been true, it means Johnston was never actually real.
All only pieces of…
FLASH
He sees the Astrologer peering deep into an iun screen.
There is a face like the Astrologer’s on the screen looking back.
Below the face is a wheel crossed with lines connecting all sorts of confusing symbols.
As the Astrologer stares, the figures and lines begin to shift around and switch places.
The face on the screen changes in sync, growing first fatter and stronger, then longer and more thoughtful.
The Astrologer seems to panic, and tries to speak, but the words come out jumbled and too weak to hear.
But the face on the screen speaks, and its voice is deep and powerful.
The Astrologer pulls up a notepad and jots:
I was wrong about Ed. I hoped he was like me, since I’ve been wanting to be more intentional and project my voice the way he does. But since his sun is my moon, for me to act like him would be to reject and suppress my own persona.
The onscreen figures and face continue to squiggle.
Then the screen is all there is, and the movement speeds up faster and faster until it’s a constant blur.
“Twelve people on a boat could represent anything and everything,” relays a recognizable voice like crashing waters, steady and expressionless. “Whatever can be said and seen could mean so many different things, all of which will show up somewhere here. And then, being seen, each wants to dig down and establish itself as a good to treasure or weakness to shore up.”
The figures and face swerve fast then slow . . . fast then slow . . . but never stop.
Watching them is almost hypnotic.
The smooth voice concludes, “The more the wheel is given to explain, the more it explains.”
The Astrologer scribbles across his paper:
Can’t it ever end? And if not, why does it seem like it has to once it finds its right alignment?
But there is no answer.
FLASH
Attention is turned again to the soft, ceaseless music as a fresh melody seems to want to whir itself to life.
For a split second, he considers writing more, then wonders:
What are words?
FLASH
With words, could it really be more about their sound than what they mean?
The music skitters, and cuts, and whooshes back in jumbled repetition like an easy chorus of skipping records never quite resolving to their perfect (hidden) counter-rhythms.
But almost.
Maybe if he could stop listening, or stop what the drugs are doing…
Would that be like trying to be consciously unconscious?
FLASH
He smiles, and Ray smiles back.
He knows immediately the flashing is the same to him as everything Ray has ever been.
His hazy machines become favored friends from long ago, reunited with after troubled lives apart.
Though the machines still scramble, furious as ever, to reframe each underlying picture in their gross, silly overestimations, he now finds their tireless work endearing and admirable.
Oh to be caught away forever from fighting to nail his life to every stab at containing or controlling such limitless beauty.
But to where?
And why?
And what would happen after?
Was Ray only everything he wished he was but wasn’t?
FLASH
If they’re all me, what part do I play?
What am I supposed to do?
FLASH
I like these drugs.
They seem to work the same way I do.
If drugs have ways of showing people what they can’t or won’t choose to see, then so do I.
Or, I should.
It’s a power, yes…
But I never wanted power over people.
Is that why I’m Ray?
I love my job.
FLASH
But didn’t Ray hate his job?
If so, how could I ignore such a blatant disconnect?
Might there be other such inconsistencies?
FLASH
I believe Ray did eventually come to realize how valuable his job had been.
I know he finally saw the good in those he’d worked with, and the grace they’d always shown him.
FLASH
It’s just like how I was allowed to go in with no license and charge people for the use of my untested, undocumented Method.
FLASH
So I’ve never really had any trouble with work, even despite the rampant paranoia shared by each of my . . . personas.
FLASH
It all leads back to the same question: Which isn’t a persona?
The author?
The psychologist?
Ray shows me how much I love my job.
And these drugs remind me of my job.
But what exactly is my job?
All is still and quiet as he glimpses in another instant his own slow drift back . . . back . . . back…
FLASH
He sees Ray again, seated across from him.
Ray is dressed in The Psychologist’s clothes.
HIMSELF:
“Ray!
“What’s happening?
“What did I just see?
“I can’t remember.
“I…”
RAY:
“I don’t know.”
HIMSELF:
“But you do.
“You always knew.
“Everything you said was what I…”
RAY:
“What did I say?”
The genuine puzzlement permeating Ray’s face and words becomes an alarm.
For a moment, a rich loon afflicted by chemicals, hearing voices, sits alone in a blank room trying to anticipate the best end to a failed life.
FLASH
And then he is Ray, and says aloud, “If you’re asking where I believe the things I see come from . . . well, that’s what I’m saying. I mean, it seems like they have to come from somewhere, right? But I never saw it that way. Of course I believe what I think, or what I see. Everyone does. I definitely want to know if I’m wrong. And you really helped me with that. But I don’t see any of the . . . the pictures or whatever . . . as being that special, y’know? It’s just whatever it is.”
FLASH
The machines continue to frame themselves and their subjects as precious and offset from explanatory worlds.
Of course.
But then he wouldn’t really be Ray, would he?
No.
New laughter catches in his throat as oblivious white and checkered flags wave to seemingly signal on and out the “last” of his arcing thoughts.
It’s his finish line . . . his place of finally being cured of whatever dissociative personality disorder . . . blah, blah, blah, etc.
The assurance is he’s finally seen the real reason for the whole elaborate setup.
Every previous Sticking Point is rewritten off again as having been only a signpost or trail marker along the way.
But nothing ends.
Unsurprised, he watches himself wonder even now if all his clients were real, or none of them, or maybe some.
He feels as urged as ever to half-expect some transcendent curtain to lift and give way to an even truer knowing glance shared with Ultimate Reality.
And what then?
FLASH
The constructed description seems to be of himself popping up in some strange future world, cured, and fully ready to be what he’s always been.
The Always.
Maybe just someone a little like Ray who…
Blocks away, a weight bench, dusty and black with rusted steel, sits to the left of the exercise section of a used sporting goods store.
The place is called Try Again.
The same building once housed a thrift store called Happy Hearts.
What if someone were to tell you a weight bench now for sale at Try Again was once sold from Happy Hearts.
How could you know?